After 12 months since community consultation started, the Wilston Village Precinct Project is now complete. A series of balustrades with lighting, sandblasted ground plane artworks and night-time projections all form the artwork titled 'The Journey Ever Onward'. Please see below for the full report from Brisbane City Council, detailing project partners, funding and outcomes. For images of the completed project please head to this page of the website.

After the effects of COVID-19 took place this year, the Wilston Village Precinct Project had its timelines expanded. Initially due to be completed by the end of June 2020, this project is now in its final stages due for completion by November 2020. The past few months has seen the development of the design ideas - from initial concepts to workable solutions that meet traffic and safety requirements alongside original design intents.
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What began as elements of local flora and architectural design features, culminated into a series of designs that spanned into elements for ground plane artworks, gobo projection works and balustrades. The designs above will be featured in ground plane works - which are to be sandblasted into the pavement along Wilston Village. The far left features a Lanoline blossom, the middle design features Wattle blossoms and the far right features Eucalyptus blossoms.

 These ground plane designs will also be mirrored in a series of projection artworks activated at night time. Taking colour cues from Federation inspired architectural features, the blue, green, maroon and gold features will compliment the ground plane artworks along the Wilston Village pathways. The projections will be lit with gobo systems.

The designs below feature the balustrade panels that have been designed with the Lanoline, Wattle and Eucalyptus blossoms featured throughout the other artworks. Created as a solid black outline using powder-coated metal panels, these designs will be activated at night time through the use of creative lighting features installed throughout the perimeter of the panels and the internal areas of each design feature.

It has been a great learning curve ensuring all the requirements for all stakeholders are met during the design development phase. Especially with the balustrade pieces, these artworks are the first of their nature for Brisbane City Council, in that they are meeting traffic and safety engineering requirements, as well as incorporating night-time lighting within the artististic design aesthetic. Working alongside my fabricators Commex Concepts, and Council's Design Brisbane department has been a wonderful experience to date. Adding in the complications of COVID-19 restrictions has certainly made this project a challenge, but one that will no doubt feel even more rewarding when the final works and completed and installed.

It has been a busy 6 weeks of research and concept development after the Wilston community workshop in December. When considering the brief for the Wilston Village, I was drawn to the history of the area’s character homes and the native flora. These topics come up in the community feedback from the workshop, which specifically mentioned parks and trees as well as historic homes as parts of Wilston that the community loves. The architecture of Wilston still stands as a distinct feature of this part of Brisbane, with Wilston House even holding the community’s name. Research reveals that these character homes were created in both late Georgian (1830s) and Federation (1890-1914) architecture styles. More than just buildings, these historical houses are also homes, representing the Wilston community through architectural features, which symbolise a distinct identity in Wilston.

I began the concept development by studying the architectural features of late Georgian and Federation style houses in Wilston. ​I took an interest in cast iron details and filigrees which can be found on the awnings and doors of these houses, making the exteriors so distinct.

I then started to explore the interior designs of this style, paying attention to detailed tile work and pressed metal ceiling patterns. ​These patterns resonated with me for their beauty and my connection in my practice to Japanese-style patterns – based on symmetry, harmony and elegance.

What struck me about these patterns is their floral embellishments feature only European flora -  a nod to their design origin. This was the point where I was inspired to research flora native to Wilston and re-design these architectural features with local plants. ​I searched for specific native flora found in the Wilston landscape. This included a range of wattles, eucalyptus, bottlebrush and small wildflowers. These are plants that also grace the beautiful parks mentioned in the community workshop. A combination of historical style and native flora creates a visual identity that is unique to Wilston. 

I began to look at the intricate detail found in the blossoms and seeds of these plants, representing new growth, and the next generation of Wilston and its community. This also included research into existing scientific drawings of these species. ​I also came across beautiful botanical drawings in the archives, connecting to the community’s documented history.

​After initial studies of plant species, I started to translate these forms into patterns – simplifying them into designs that embraced the symmetry and harmony found in architectural patterns from the area.

The designs were rendered digitally creating standalone and repetitive patterns relating to the various plant studies including wattle, lanoline and eucalyptus flowers. These patterns are uniform, symmetrical, simple yet effectively beautiful in honoring natural elements – mirroring the principles of Georgian style and the Japanese influence inspired by patterns found embroidered in kimono material and in Japanese washi origami paper. My arts practice has a strong influence from my maternal Japanese heritage, creating a recognizable design aesthetic in my work. I create artwork which explores pattern creation embedded with a historical narrative. 

I'm now developing these standalone floral elements within architectural motifs to explore Federation and Georgian styles found in Wilston Houses. Following positive feedback from further consultation this design idea will be further developed as a series of works featuring eucalyptus, wattle and lanoline blossom studies. Stay posted!

A successful community workshop was held on Sunday 8 December as part of the Wilston Village Christmas Fair. The workshop addressed a three-step model of community consultation focusing on inspiring, visioning and collaborating.
Using historical research of the area including original maps of the estate, early posters advertising Wilston Estate, and historical footage of a Wilston School function in 1953 playing on a projector, community members were able to learn and be inspired by how much the area has changed since its early days. Research of historical images and documents was generously assisted by the Windsor and District Historical Society.

The growing web of ideas and stories on these panels are the start of the collaborative process as the community builds a sense of identity, informing a collaborative design approach for the project. During the workshop, key ideas and themes were identified, creating this ‘word cloud’ about Wilston:

The most frequent words have been formulated into the above word tag cloud. The feedback showed the community values the people, a sense of community, its school and village and also the parks and cafes in the area. The workshop was a great opportunity to also connect with people in person and learn what is important in the community. 

This space will be used to continue the feedback loop of this process. Feel free to add your comments below about the results!